Also a concert recording is the CDR by The Swarming Of Flies, with has one M on violin and one I on synth, strings, effects and computer and no doubt that I is the same person as the one behind PS Stamps Back and the label. Here we enter a much more rough landscape, also of long sustaining sounds that over the course of these tracks swell, rise and come to a noisy halt after twenty-two minutes. By that time the violin has disappeared from the scenery and its laptop a gogo. Much more raw than the work with B*Tong, this has however a fine power of its own. Nice on too. (Fdw) -- vital weekly